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Fans destroyed baseball equipment, uprooted the turf, and set fires in various parts of the park. The demolition was not merely ceremonial nor was it confined to records.
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Fans were given reduced admission if they brought a disco record to put on a large pyre. Author Gillian Frank reported in an article called “Discophobia: Antigay Prejudice and the 1979 Backlash against Disco” that attendance at the event surged to 70,000, greatly exceeding the park’s capacity. In the summer of 1979, two disc jockeys in Chicago invited listeners to an unusual event at Comiskey Park billed as Disco Demolition Night. The mainstreaming of the disco-lib movement was complete, but a cultural backlash was around the corner. But the fact that the film and its soundtrack were largely heterosexual and white was portentous. The soundtrack would become one of the best-selling albums of all time. The VH1 documentary When Disco Ruled the World opens with music producer Nile Rodgers offering the following superlative: “It was probably, in my humble opinion, the most liberated period in the history of the world.” In December 1977, the film Saturday Night Fever brought disco to its commercial apex, topping the box office and Billboard music charts simultaneously. Hence the newly emergent disco music, like jazz before it, became what the young scholar Nico Rosario characterized as “the music of the marginalized.”ĭisco music rapidly became an integrated effort on all levels-a musical genre undeniably more open to gay men than traditional R&B and more open to African-Americans and women than country or rock. This gave nightlife venues and the music played in them a remarkably important role in the politics of sexual identity. Although some of these laws remain on the books even today, Stonewall became a tipping point after which their enforcement declined. Chauncey thus casts “saloons, cabarets, and other social venues where men and women transgressed Victorian gender conventions” as political frontiers where basic civil liberties were at stake. As George Chauncey notes in his 1994 book Gay New York, these laws were not just repressive for gays they could be used to criminalize any form of sex outside marriage, even heterosexual sex, as amateur prostitution. The Stonewall Riots of 1969 were, as a practical matter, a revolt against New York City’s cabaret laws. Prince debuted as a disco artist at precisely the moment when Stonewall’s revolution was giving way to Reagan’s. But the Grammys’ adoration was a stark contrast to the racial and sexual hostility that marked his initial rise.
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The entire audience leapt to its feet at the sight of him and roared its approval. When he took the stage of the 2015 Grammy Awards, even the stars were star-struck. PRINCE ROGERS NELSON was as loved by fans at the end of his life as at any time of his career.